Blog
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Film director Carl Theodor Dreyer never settled on a score to accompany his 1928 silent masterpiece The Passion of Joan of Arc. Will the Orlando Consort’s a cappella version – using medieval songs composed in the saint’s lifetime – prove a more fitting soundtrack?
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Chris Lorway and Laura Evans share the ideas that drive the new season ahead.
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Performances begin summer 2019 at the newly renovated Frost Amphitheater.
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Executive Director Chris Lorway shares his take on this upcoming performance.
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Beethoven meets Frankenstein…what could that be about?
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Ryan Haddad and Tim Miller Discuss Dating and Relationships.
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The Kronos Quartet's new program highlights the rich diversity of artistic voices from the original seven “banned countries.”
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Both children of pastors who learned about music in their fathers’ churches, Marcus and Jean Baylor have forged the fast-rising music ensemble The Baylor Project.
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His Dystopian Dream, getting its U.S. premiere at Stanford, could be his most ambitious work yet.
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Ellams’ Barber Shop Chronicles offers a supple view of human continuity across the cultural complexities of the African continent and diaspora.