Program Notes: Maria Schneider Orchestra
Photo by BrieneLermitte
Maria Schneider Orchestra
Saturday, March 26, 2022
Bing Concert Hall
About the Program
"On the whole and in the details, [Data Lords] amounts to the most daring work of Schneider's career, which sets the bar imposingly high. This is music of extravagant mastery, and it comes imbued with a spirit of risk."
Known as a breakaway jazz orchestra leader and composer, Minnesota-born Maria Schneider formed her first band in 1988. She's a 2019 NEA Jazz Master and multi–Grammy Award winner for her work in classical, jazz, and even pop with the late David Bowie. Today the 18-member Maria Schneider Orchestra performs worldwide, tackling lush and complex works that bring new energy to the jazz orchestra landscape.
The orchestra performs music from Data Lords, Maria Schneider's latest double album inspired by conflicting relationships between the digital and natural worlds. “No one can deny the great impact that the data-hungry digital world has had on our lives. As big data companies clamor for our attention, I know that I’m not alone in struggling to find space—to keep connected with my inner world, the natural world, and just the simpler things in life. Just as I feel myself ping ponging between a digital world and the real world, the same dichotomy is showing up in my music. In order to truly represent my creative output from the last few years, it felt natural to make a two-album release reflecting these two polar extremes.”
Generously supported by The Wollenberg Foundation and by the Koret Foundation.
Stanford Live Season Sponsor:
PROGRAM SUBJECT TO CHANGE. Please be considerate of others and turn off all phones, pagers, and watch alarms. Photography and recording of any kind are not permitted. Thank you.
HEALTH AND SAFETY: Masks are no longer required for indoor performances but are strongly recommended.
Saturday, March 26 at 6:45 PM | Bing Concert Hall
With Maria Schneider and Loren Schoenberg
Jazz saxophonist and scholar Loren Schoenberg, Founding Director and Senior Scholar at the National Jazz Museum in Harlem, joins Maria Schneider for a conversation on her music at 6:45 PM.
About the Artist
(Photo by Jimmy & Dena Katz Photos)
Maria Schneider’s music has been hailed by critics as “evocative, majestic, magical, heart-stoppingly gorgeous, imaginative, revelatory, riveting, daring, and beyond categorization.” Blurring the lines between genres, her varied commissioners stretch from Jazz at Lincoln Center, to The Saint Paul Chamber Orchestra, to the American Dance Festival, and include collaboration with David Bowie. She is among a small few to receive GRAMMYS in multiple genres, having received the award in jazz and classical, as well as for her work with David Bowie.
With her first recording, Evanescence (1994), Schneider began developing her personal way of writing for her 18-member collective made up of many of the finest musicians in jazz today, tailoring her compositions to the uniquely creative voices of the group. They have performed at festivals and concert halls worldwide, and she herself has received numerous commissions and guest-conducting invites, working with over 90 groups in over 30 countries.
Unique funding of projects has become a hallmark for Schneider through the trend-setting company, ArtistShare. And, in 2004, Concert in the Garden became historic as the first recording to win a GRAMMY with Internet-only sales. Even more significantly, it blazed the "crowd-funding" trail as ArtistShare’s first release, and was eventually inducted into the 2019 National Recording Registry.
Schneider’s many honors also include: 14 GRAMMY-nominations, 7 GRAMMY Awards, numerous Jazz Journalists Association awards, DOWNBEAT and JAZZTIMES Critics and Readers Polls awards, an honorary doctorate from her alma mater, the University of Minnesota, ASCAP’s esteemed Concert Music Award (2014), the nation's highest honor in jazz, “NEA Jazz Master” (2019) (NEA Jazz Master Speech found here), and election into the 2020 American Academy of Arts and Sciences.
A strong voice for music advocacy, Schneider has testified before the US Congressional Subcommittee on Intellectual Property on digital rights, has given commentary on CNN, participated in round-tables for the United States Copyright Office, has been quoted in numerous publications for her views on Spotify, Pandora, YouTube, Google, digital rights, and music piracy, and has written various white papers and articles on the digital economy as related to music and beyond.
Her latest double-album, Data Lords (2020), a Pulitzer Prize Finalist, winner of two GRAMMY Awards, named Jazz Album of the Year by the Jazz Journalists Association and NPR, and winner of France's prestigious Grand Prix de l'Académie du Jazz, has melded her advocacy and art: Nate Chinen of NPR writes: “Now it's finally here, in the form of a magnificent double album, Data Lords. . . it parses into thematic halves, "The Digital World" and, as an antidote, "The Natural World." On the whole and in the details, it amounts to the most daring work of Schneider's career, which sets the bar imposingly high. This is music of extravagant mastery, and it comes imbued with a spirit of risk."
David Hajdu for THE NATION writes, “Beyond the dualism in its format, Data Lords is a work of holistic creativity. The music of outrage and critique in the first album has all the emotion and conceptual integrity that the music of melancholy and reverence does in the second. I can’t conceive of anyone else creating this music, unless Delius has been writing with Bowie on the other side.”
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