Update browser for a secure Made experience

It looks like you may be using a web browser version that we don't support. Make sure you're using the most recent version of your browser, or try using of these supported browsers, to get the full Made experience: Chrome, Firefox, Safari, or Edge.

BATSHIT

About the Artists

Leah Shelton

Ursula Martinez (Director)

Kenneth Lyons (Sound Design)

Kenneth Lyons (Sound Design)

Jason Glenwright (Lighting Design)

Jason Glenwright (Lighting Design)

Grace Uther (Video Content)

Grace Uther (Video Content)

Freddy Komp (Production & Stage Manager; Live Feed, Projection & Systems Designer)

Freddy Komp (Production & Stage Manager; Live Feed, Projection & Systems Designer)

Notes from Leah Shelton

BATSHIT was inspired by my grandmother Gwen's story. She was incarcerated at Heathcote Hospital in Perth in 1963, and given a cocktail of drugs and ECT treatment without her consent.

Throughout the process of researching for this show, I uncovered many pages of psychiatric reports from my grandmother's time at Heathcote. The reports were worse than I might have imagined - full of judgemental, condescending, and gendered language from Doctors and Nurses. They consistently imply that she was detained because she wanted to leave her husband - and then deemed “cured” when she returned compliantly back to her husband after treatment.

Things haven’t really changed that much for women since the 1960s. Many women are still labelled with personality disorders, pathologised and medicated, for being angry about oppression and abuse. Women and girls are routinely duped into believing we are mentally ill for having normal and natural reactions to our experiences. We are twice as likely to be diagnosed with depression, anxiety, panic disorder, phobias, suicidal ideation, suicide attempts, eating disorders and PTSD; and seven times more likely to be diagnosed with borderline personality disorder. So it’s fair to say it’s a long-standing systemic problem.

This work asks whether we, as a society, are being let down by the medical and psychiatric systems. I hope BATSHIT will resonate with people who have similar stories to tell, and will open up conversations on how we might do things better.

Credits

Creator / Performer: Leah Shelton
Director: Ursula Martinez
Writers: Leah Shelton & Christine Shelton in collaboration with Ursula Martinez
Touring Co-Producer & Agent: Linda Catalano (Quiet RIOT)
Sound Design: Kenneth Lyons
Lighting Design: Jason Glenwright
Costume Design: Leah Shelton
Set Design: Leah Shelton with Freddy Komp
Video: Grace Uther (video content) & Freddy Komp (live feed, projection, systems design)
Set & Lighting Construction: Freddy Komp & Stephen Rowan
Scenic Arting: Shaun Caulfield
Production and Stage Manager: Freddy Komp
Conceptual Collaborators: Lisa Fa'alafi & Daniel Evans
Dramaturgical Consultant: Saffron Benner
Choreographic Consultant: Kate Harman
Pre-recorded vocals by Naomi Price & Hugh Parker
Voiceovers by Christine Shelton & Leah Shelton

 

SPECIAL THANKS TO

Jane Shelton, Naomi Price, Nathan Sibthorpe, Tanya Martin, Chloe Greaves, Ghenoa Gela, Alinta McGrady, Jay Roberts, Helen Clifford, Celia White, Stephen Bradford, Troy Gilliland, Daniel Joseph, Ellie Ngoh, Carley Carran, Jade Wightman, Sam Butterworth; and the brilliant teams at Brisbane Festival, Metro Arts and Darebin Arts Speakeasy who supported the initial creation of BATSHIT.

Direct from the Edinburgh Festival Fringe

Scotland’s Edinburgh Festival Fringe takes place each August and draws daring, experimental, and genre-defying performances from around the world. A slice of that creative energy comes to Stanford Live this season, as Burnout Paradise and two other Fringe-acclaimed productions make their way to campus.

Spanning theater and performance art, these works address social issues and difficult topics—including burnout, female madness, and sexuality—with a healthy dose of artistic risk and bold humor.

Five Questions on Works From the Edinburgh Festival Fringe with the Creator of BATSHIT