BATSHIT
About the Artists
Leah Shelton
Ursula Martinez (Director)
Kenneth Lyons (Sound Design)
Jason Glenwright (Lighting Design)
Grace Uther (Video Content)
Freddy Komp (Production & Stage Manager; Live Feed, Projection & Systems Designer)
Psycho-siren Leah Shelton creates stylized, guttural, renegade feminist work soaked in cult references and dark humour. Her work has taken her from the glamour of Las Vegas to the back streets of Kings Cross, from rigorous training in Japan to live art festivals in New York.
As a solo artist, Leah has played on and off West End in London. She has graced the cabaret stages of La Clique, Little Death Club, Vegas Nocturne and Jonny Woo’s UnRoyal Variety Show. Her triptych of solo works interrogating gender and identity have received critical acclaim: ‘Terror Australis’ received numerous awards and toured Australia and France; ‘Bitch On Heat’ , directed by UK Performance Art luminary Ursula Martinez, toured major festivals in Australia and Soho Theatre London; and her most recent work ‘Batshit’ premiered to sell-out audiences and 5-star reviews at Brisbane Festival and Melbourne’s Darebin Arts Speakeasy in 2022..
With Lisa Fa’alafi, Leah is Co-Director of artist collective Polytoxic, creating hyper-visual works underpinned by diversity, intersectionality and collaboration. Polytoxic have presented work at PS122’s COIL Festival NYC, Harbourfront Centre Canada, WanSmolbag Vanuatu, Sydney Opera House, Darwin Festival, Brisbane Festival, APAM, Bleach* , Enlighten, ArtsHouse Melbourne, Ten Days on the Island, Brisbane Powerhouse and QPAC.
Originally dance-trained, Leah has a diverse performance background including over ten years training in the Suzuki Actor Training Method with Frank Theatre (Brisbane, AU), Suzuki Company of Toga (Toga / Shizuoka, Japan) and SITI Company (New York, USA).
Ursula Martinez is a London based performance maker.
She began her solo career in the mid 90’s performing on the London cabaret scene and created her first theatre show A Family Outing in 1998. Since then she has created and directed many works straddling the different genre of theatre, cabaret, comedy, and live art.
Recent shows include Wild Bore, an international collaboration with Adrienne Truscott (US) and Zoe Coombs Marr (Australia) commissioned by Melbourne’s Malthouse, and A Family Outing - 20 Years On, commissioned by the Barbican and Perth Festival 2019, where Martinez was the artist-in-residence.
Martinez is an original cast member of the multi award-winning contemporary circus phenomena La Clique and La Soiree, and a long term collaborator with performance provocateurs ‘Duckie’, with whom she co-created the Olivier Award-winning show C’est Duckie.
Martinez also works as a freelance theatre director. She has directed numerous shows nationally and internationally, including 3 smash-hit shows from performance provocateur Lucy McCormick (UK) and 2 from Australia’s award-winning Leah Shelton.
But for all her theatrical accolades, because of the internet, Martinez is probably most well known for pulling red hankies out of her vagina!
https://ursulamartinez.com/
Kenneth Lyons is an award winning multi-disciplinary artist with a creative practice spanning over 35 years. Over this time Kenneth has worked professionally in jewellery, video, graphic, costume, set and sound design with many examples of his work featured in festivals and exhibitions nationally and internationally. He has also project managed a number of community arts initiatives and is also a co-producer/presenter of the weekly international arts & independent music program, Curved Radio for Sydney’s 2SER FM.
His most recent collaborations with contemporary performance maker Leah Shelton have been on her multi-award winning solo works, Terror Australis which toured Australia, UK and France (2015-2019) and Bitch On Heat (2018-2019) which toured Australia and to the Soho Theatre London receiving critical acclaim.
Kenneth continues to explore the creation of imaginary soundtracks and contributes to a number of sound collectives under the monikers of radioShirley & mr.K.
Jason Glenwright is an award-winning Lighting Designer specialising in theatre, musical theatre, opera, concerts, cabaret, circus, dance and puppetry with over 300 production credits to his name. Jason’s work has been seen both nationally and internationally from the Sydney Opera House to New York’s Lincoln Centre, and London’s SOHO Theatre.
Jason has collaborated alongside many companies including Bell Shakespeare, Queensland Theatre, Opera Queensland, La Boite, Griffin Theatre Company, QLD Camerata Chamber Orchestra, Flipside, Queensland Music Festival, shake & stir, The Good Room, Little Red, Debase and Dead Puppet Society to name a few. www.jasonglenwright.com
Grace Uther is a film director, screenwriter & producer. In 2021, Grace collaborated with intersectional feminist performance-makers Polytoxic to direct a documentary about their radical and inclusive creative process as they staged their show DEMOLITION for Brisbane Festival. Grace is the director of ABC iView’s The Brothers’ Book Club, a modern book review and skit show produced by Kiosk Film and supported by Screen Queensland. Alongside an extensive career in film and television production, her darkly comic, female driven thrillers have screened internationally at festivals including MonsterFest, Nightmares Film Festival (USA), LA Femme International Film Festival, and the Gold Coast’s SIPFEST, picking up awards including Best International Director at the Austin After Dark Festival.
Freddy Komp works in theatre and event production and loves delving into multi-disciplinary forays across AV, Set, and Lighting Design (nominated for 2 Groundling Awards and 2 Matilda Awards) and in AV Visual Arts Installations (including Living Rocks: A Fragment of the Universe at Venice Biennale 2019 and ZKM Karlsruhe’s “The Beauty of Early Life” 2022), and in stage/production management. He loves a good challenge that demands a variety of skills as well as creative problem solving, and led the production teams at Adelaide Film Festival (2015-2018) and Hybrid World Adelaide(2017+2018) before returning to Queensland (as technical manager for Brisbane Festival 19’s Arcadia, and technical director for Little Red Company’s first Lord Mayor’s Christmas Carols 2021).
Freddy has worked with accomplished directors including Bridget Boyle, Margi Brown-Ash, Shaun Charles, Daniel Evans, David Fenton, Michael Futcher, Eugene Gilfedder,Nasim Khosravi, Benjamin Knapton, Andy Packer, Benjamin Schostakowski, Garry Stewart, and Genevieve Trace.
Notes from Leah Shelton
BATSHIT was inspired by my grandmother Gwen's story. She was incarcerated at Heathcote Hospital in Perth in 1963, and given a cocktail of drugs and ECT treatment without her consent.
Throughout the process of researching for this show, I uncovered many pages of psychiatric reports from my grandmother's time at Heathcote. The reports were worse than I might have imagined - full of judgemental, condescending, and gendered language from Doctors and Nurses. They consistently imply that she was detained because she wanted to leave her husband - and then deemed “cured” when she returned compliantly back to her husband after treatment.
Things haven’t really changed that much for women since the 1960s. Many women are still labelled with personality disorders, pathologised and medicated, for being angry about oppression and abuse. Women and girls are routinely duped into believing we are mentally ill for having normal and natural reactions to our experiences. We are twice as likely to be diagnosed with depression, anxiety, panic disorder, phobias, suicidal ideation, suicide attempts, eating disorders and PTSD; and seven times more likely to be diagnosed with borderline personality disorder. So it’s fair to say it’s a long-standing systemic problem.
This work asks whether we, as a society, are being let down by the medical and psychiatric systems. I hope BATSHIT will resonate with people who have similar stories to tell, and will open up conversations on how we might do things better.
Credits
Creator / Performer: Leah Shelton
Director: Ursula Martinez
Writers: Leah Shelton & Christine Shelton in collaboration with Ursula Martinez
Touring Co-Producer & Agent: Linda Catalano (Quiet RIOT)
Sound Design: Kenneth Lyons
Lighting Design: Jason Glenwright
Costume Design: Leah Shelton
Set Design: Leah Shelton with Freddy Komp
Video: Grace Uther (video content) & Freddy Komp (live feed, projection, systems design)
Set & Lighting Construction: Freddy Komp & Stephen Rowan
Scenic Arting: Shaun Caulfield
Production and Stage Manager: Freddy Komp
Conceptual Collaborators: Lisa Fa'alafi & Daniel Evans
Dramaturgical Consultant: Saffron Benner
Choreographic Consultant: Kate Harman
Pre-recorded vocals by Naomi Price & Hugh Parker
Voiceovers by Christine Shelton & Leah Shelton
SPECIAL THANKS TO
Jane Shelton, Naomi Price, Nathan Sibthorpe, Tanya Martin, Chloe Greaves, Ghenoa Gela, Alinta McGrady, Jay Roberts, Helen Clifford, Celia White, Stephen Bradford, Troy Gilliland, Daniel Joseph, Ellie Ngoh, Carley Carran, Jade Wightman, Sam Butterworth; and the brilliant teams at Brisbane Festival, Metro Arts and Darebin Arts Speakeasy who supported the initial creation of BATSHIT.
Direct from the Edinburgh Festival Fringe
Scotland’s Edinburgh Festival Fringe takes place each August and draws daring, experimental, and genre-defying performances from around the world. A slice of that creative energy comes to Stanford Live this season, as Burnout Paradise and two other Fringe-acclaimed productions make their way to campus.
Spanning theater and performance art, these works address social issues and difficult topics—including burnout, female madness, and sexuality—with a healthy dose of artistic risk and bold humor.