The Evolution of Movement

In 1913, Igor Stravinsky and Vaslav Nijinsky's radical ballet, The Rite of Spring, premiered with a score marked by dissonant harmonies and irregular rhythmic structures. This seminal work catalyzed a seismic shift in choreographic language, expanding the possibilities of expression within 20th-century dance. Our exploration of this evolution continues with three programs spanning past, present, and future.

First, Chinese choreographer Yang Liping's reimagining of this pivotal piece compels us to examine the lineage of dance and its enduring influence on contemporary movement vocabulary.

Next, Daniel Hope's DANCE! with the New Century Chamber Orchestra offers a diachronic survey of Western dance. This musical journey traces the arc of movement from its medieval origins through its diverse 20th-century manifestations, providing a critical analysis of both tradition and innovation.

Finally, the Robotics Showcase, featuring AXIS Dance Company and Catie Cuan, forecasts the frontiers of movement and dance, where artificial intelligence transforms choreographic potential.

This season's programming delves into the evolving relationship between music, dance, and technology. As choreographic expression embraces mechanization, complex questions arise regarding human-machine interactions. Plato's concept of mimesis (imitation) offers a lens through which to examine how humans extend their expressive capabilities via technology. The anthropomorphization of robots reflects our profound need for connection and understanding. This marks the initiation of a multiyear inquiry into the nexus of arts and technology—a provocative and ever-evolving field of study.
–Albert Montañez-Sanchez, Producer of Artistic Programs

Explore the dance music in our 2024-25 season by listening to our Spotify playlist.